Search By



By : Ashraf Salama

The process of educating future architects and designers around the world varies dramatically. However, there is one striking similarity - the dominance of the design studio as the main forum for knowledge acquisition and assimilation, and for creative exploration and interaction. Such a setting encompasses intensive cognitive and physical activities, which ultimately result in conceptualizing meaningful environments proposed to accommodate related human activities. The design studio is the primary space where students explore their creative skills that are so prized by the profession; it is the kiln where future architects are molded. It has occupied a central position since architectural education was formalized two centuries ago in France and later in Germany, the rest of Europe, North America, and the rest of the world. My personal experience of the design studio comes principally from being academic, studio educator, and researcher on architectural education and studio teaching practices for over fifteen years. Continuous endeavors have resulted in a number of publications that analyzed traditional studio while probing into the motivations of my colleague educators and allowing for critical examination of studio pedagogy (SALAMA, 1995; 1996; 1998; 1999; 2002; 2005; 2006). My passion for a continued exploration and investigation of the studio underlying rituals, teaching styles and learning outcomes, design processes and studio projects motivated me to entertain the idea of guest editing this issue and to venture a call for contributions for soliciting visions and experiences on the theme. This initiation was further encouraged and supported by the Editor in Chief - Nicholas Wilkinson. This issue of Open House International-OHI is concerned with the studio pedagogy's increasing importance within the context of contemporary architectural and design education, a crucial subject that poses itself confidently on the map of current academic research. Twelve papers are included; of them, nine were selected from over 30 submission responses to the call for contributions. These are of NISHA FERNANDO; KEVIN MITCHELL, MALIKA BOSE, ELIZA PENNYPACKER, and TOM YAHNER; TASOULLA
HADJIYANNI; CARLOS BALSAS; RABEE REFFAT; JEFFREY HOU and MIN-JAY KANG; JAMAL AL QAWASMI; and JEFFREY HAASE. Three papers were selected as they won the first three awards of the International Architectural Education Competi-tion entitled "Alternative Educational Ways for Teaching and Learning Architectural Design," which was organized in 2005 by Open House International and the Faculty of Architecture, Eastern Mediterranean University, Northern Cyprus. Results were announced in April 2006 and the three winners were JOONGSUB KIM (1st Prize); NOAM AUSTERLITZ & AVIGAIL SACHS (2nd Prize); and GUITA FARIVARSADRI & USTUN ALSAC (3rd Prize). Efforts of these concerned and committed educators are integrated to openly debate the delivery system of education in the studio. Actually, they are advancing the discussions on how this subject has become a recognized area of research in recent years, how studio teaching invigorates the attitudes of future architects and designers, and how it may contribute to the creation of better environments. The papers in this edition of OHI capture the body of knowledge about design studio teaching. However, they can be regarded as different studio typologies that delineate a paradigm shift. Such a shift is from the traditional approach that follows principles and practices developed in the past, and not equipped to deal with the practical realities of contemporary societies, to a more responsive approach that effectively challenges recent advances in social and behavioral sciences, and telecommunication technologies. Such an approach is characterized by committing itself to a student-centered learning process by shaping and identifying studio objectives and thereby recognizing the impacts they may have on the lifelong learning skills of future architects. The papers of NISHA FERNANDO, KEVIN MITCHELL, and JEFFREY HAASE address some gaps inherited in the traditional approach to studio teaching. They share the concern for Learning from the Environment whether through systematic investigation of potential users or from exemplary built projects, or through the actual involvement in the building process. However, they differ dramatically in terms of the arguments they introduce. FERNANDO argues for integrating environmental design research as......

This is An Abstract to read the whole article login.......




© - All Rights Reserved